- Hide menu

7 Ways to Detonate Your Creativity

creative, design, brand innovation

After 25 years of cre­at­ing every­thing from songs to brand­ing cam­paign assets and strate­gies (and every­thing in between), I’ve come to accept that dry spells are inevitable. At some point you’re going to find your­self star­ing at a blank page, ter­ri­fied at the prospect that there’s no way you’re going to be able to fill it with some­thing meaningful-something with the poten­tial to pro­duce pow­er­ful results for you, your com­pany, or your client.

Here are seven ways to cre­ate break­through ideas. I’ve used every sin­gle one of them mul­ti­ple times, and have lived to write this story.

1. Scare yourself

One of the best ways to loosen up cre­ativ­ity is to read The Brief, The Research, The Manda­to­ries, the what­ever the ” You’re Sup­posed to Do This” doc­u­ment is. Absorb it, own it, then throw it away.

Now the fun begins. Explore ideas that are appro­pri­ate to the goal, but which you believe the deci­sion maker will never go for. What ideas are so absurd that after you’ve pre­sented them, they’ll think you’ve been hit­ting the bot­tle, or the bong, or the bot­tle and the bong? Now you’re in unfa­mil­iar ter­ri­tory, and that’s where fresh ideas live. Your uncer­tainty, your fear, is a good sign that you’re stretch­ing into new space, and that’s what cre­ativ­ity is all about. This approach is also good for giv­ing your ego a smack down.

Too often great ideas are aban­doned because we’re wor­ried about what peo­ple will think of us. Lis­ten, our work shouldn’t be about keep­ing our egos in their happy place, it’s about results, about pos­i­tive out­comes for others-focus on that, and tell your ego to go play in the street.

Now that you’ve scared your­self, pro­ceed to scare the deci­sion maker. I hon­estly believe if we don’t make our clients at least slightly uncom­fort­able when see­ing con­cepts for the first time, we’ve failed. Famil­iar­ity breeds com­fort, and if our clients are too com­fort­able, their tar­get audi­ence will be too. Com­fort­able ideas rarely have break­through poten­tial, and that’s unacceptable.

2. Wet your pants

If an idea can’t make you laugh or cry, or what­ever your tar­get emo­tion is, it prob­a­bly won’t make oth­ers either. When you’re work­ing on an idea, don’t try to sell your­self with, “Peo­ple will think this is ______ (fill in the blank with what­ever emotion.)”

If, after reading/hearing/seeing your con­cept, you haven’t wet your pants laugh­ing, or don’t have tears rolling down your cheeks or, aren’t feel­ing inspired to go and climb the near­est moun­tain, your audi­ence won’t either. You sim­ply must require of your­self that your work pro­duce an emo­tional effect on you. You are your own Guinea Pig, and you must trust that if your idea truly res­onates with you, it will with others.

So, pick an emo­tion, focus on it, truly feel it, then begin assem­bling an idea that repro­duces the authen­tic expe­ri­ence of that emotion.

3. Lock the doors and board the windows

This is one of our very favorite tech­niques for achiev­ing break­through ideas: cut off your usual routes of escape. As cre­ative thinkers we return too often to famil­iar paths. Instead, get off that famil­iar and safe path-take a machete and start hack­ing a new one in the jungle.

Here’s the way we frame it when we begin ideat­ing: our com­peti­tors are reach­ing our tar­get by walk­ing through their front door. Let’s assume the front door is locked, and so is the back door, and all the win­dows have been boarded. Now what are we going to do?

Here’s a con­crete exam­ple: We had a client who wanted to intro­duce a new large capac­ity wash­ing machine, and asked us to cre­ate a print cam­paign to accom­plish this. Well, for a myr­iad of rea­sons we felt this wasn’t the best approach, so to develop alter­nate approaches we imag­ined, “Tra­di­tional adver­tis­ing media sim­ply don’t exist-they haven’t been invented yet. Now how do we roll out this prod­uct introduction?”

The “front door” is always avail­able, and your com­pe­ti­tion is in queue at the door­bell. Instead, go down the chim­ney, tun­nel into the base­ment, cut a hole in the roof: cre­ate the ele­ment of surprise.

4. Cut off your thumb

Hold up your hand. Go ahead. Hold it up. See all those fin­gers? That’s what your typ­i­cal brand­scape looks like. Regard­less of the prod­uct or indus­try, nearly every­one is say­ing the same thing-they’re clus­tered together like a pack of sheep. That’s why most auto­mo­tive spots look and sound the same, why every ad for sun­glasses has the same pouty pro­file of a model … cover the logo on most cre­ative assets and then try to iden­tify the brand.… see what I mean?

Now do this. Hold up your right hand and fold in your thumb. Now hold up your left hand, thumb only. That’s the brand­cape you want to create-one with space between your brand and the com­pe­ti­tion. Don’t be a sheep. Be a goat. Cre­ate works with the goal of them being so unique a logo isn’t even required.

5. Pro­cras­ti­nate

A healthy dose of ter­ror can be a good moti­va­tor. Occa­sion­ally I like to sit on ideas like they’re eggs, and only let them hatch just before the dead­line. It’s sur­pris­ing how much think­ing goes on while we’re “doing noth­ing”.
This approach is def­i­nitely not for ama­teurs though. You need to have mad skills that can take a idea and make it look great quickly. Pro­ceed with caution-late and bad is not a good combination.

6. Steal

Well, not really “steal­ing”. Let’s call it “pay­ing homage.” I had a long career in music-one of the most expan­sive oppor­tu­ni­ties for cre­ative expres­sion humans can have, and, trust me, there’s lit­tle new under the sun. I feel con­fi­dent you can apply this maxim to all other spheres of human activ­ity as well . In the blues (the foun­da­tion for most pop­u­lar music) musi­cians basi­cally use three-chord pro­gres­sions to pro­duce mil­lions of songs. To cre­ate lat­eral ideas, we’d take this basic struc­ture, then begin “riff­ing” on it, play­ing with it, twist­ing it until we’d cre­ated our per­sonal interpretation.

So, find an idea some­one else has done, then begin riff­ing on it. But don’t just pick any old idea, pick the very best ones while remem­ber­ing this: “Good writ­ers emu­late, great writ­ers steal.” (I stole this quote from Hemingway-he stole it from TS Elliot, who stole it from Picasso.)

7. Peanut But­ter and Sardines

Mash­ing up ideas is a great way to break through iner­tia. Unusual com­bi­na­tions of unlikely ele­ments can often pro­duce cre­ative sparks. We once wrote a song that com­bined a hip-hop beat with a banjo, and a coun­tri­fied rap. It was an object les­son in most of the sug­ges­tions from above: we were afraid to present it, it made us howl with laugh­ter every time we played it, we refused to do some­thing rou­tine, and we waited until the 12th hour to record it. It ended up win­ning more awards than we could shake a stick at, and was a com­mer­cial peo­ple actu­ally called into radio sta­tions and requested.

So, throw a bunch of unlikely ele­ments onto the table and begin mak­ing your own mash-up. Most often, the ugly freak you pro­duce ini­tially won’t be the final idea, but it can loosen you up to to get to the real idea in a novel way.

Good luck!

Com­ments

3 Responses to “7 Ways to Detonate Your Creativity”

  1. Well now that I have Wet My Pants, mashed up some sar­dines and peanut but­ter, and cut off my thumb, I think I might be ready to move for­ward on my new idea.

    Wow! I got the most out of Wet My Pants, but all 7 ideas are now on my list to try when those dry spots hit and there is no water to be found anywhere.

    Nick

  2. admin says:

    Thanks for your com­ments, Nick. If you’ve got break­through strate­gies that have worked for you, please share them with us.
    I just vis­ited your site and read your post, enti­tled “Rec­ol­lec­tions of My Mother …” really lovely writ­ing I could feel. No won­der Wet Your Pants res­onated with you.

    Best,
    Rick

Leave a Reply